Bollywood is killing our Pakistani film industry says one of our actors; our film industry has been hijacked more appropriately. Many of the cinemas have been closed and Lahore only produces 20 films a year which are of extremely low budget where as Mumbai (Bollywood) produces about 1000 of the fraction with 1.3 billion dollar budget each year.
Our great and famous Pakistani actor Ghulam Mohiudin who has done about 400 hundred Lollywood films says that our films have been replaced by Indian high budget films because our public would not like to go for low budget when they have got a far better option to follow. The legendary Pakistani actors mark 1960’s as the golden era of lollyword when the streets of Lahore were filled with art deco cinemas and packed houses. In the 1980’s we were producing about hundred films each year which were reduced to 20 a few years ago. Although now I see the Pakistani cinema rising up with the release of one of the greatest Pakistani movie Khuda Key Liye directed by Shoaib Mansoor a story of a man who was imprisoned for being a suspect of the 9/11 incident and how his brother claims to be the right Muslim. Though some of our Pakistani directors like Syed Noor and Shoaib Mansoor have tried to build up something that can catch the attention of the public but more effort is required. Today the movie land is found dead with most of them have been made car parks and other shopping malls. In such circumstances no one in the producer’s group dares to bring up money to invest on a film which wouldn’t be watched.
Let’s just imagine if you are given a choice and you have to choose only one i.e. Hollywood greatest movie Avatar and Pakistani film Mein Eik Din Laut Key Ayoonga you will definitely like to go for Avatar just because it is more technical and doesn’t have typical movie idea at least different.
With the release of Pakistani movie Bol we have seen a lot of audience moving around in the cinemas, and the ideas that have been portrayed in the film are quite different far from being certain. With the upcoming cinestar cinemas all around Pakistan there is a vast range of audience seeing entering and spending money. Now with the advancing in the theatres our producers and directors are more likely to take notice on making movies that would captivate the audience. Pakistani movie Love Mein Ghum produced by Reema Khan, one of our finest Pakistani movie actress, this movie is considered to be of the highest budget this year or over the decade. The movie has been shot in Malaysia.
We have also seen our stars migrating to Bollywood and making films there rather then Lollywood just because they are not provided with the good casting team and good choice and budget. Ali Zafar has worked on a lot of projects abroad like Tere Bin Laden and Mere Brother ki Dulhan. However the Pakistani small screen cinema has made a worth applaud progress over the years by introducing many channels. These channels hav entertained the Pakistani audience here in Pakistan and abroad with extremely good dramas like Alpha Bravo Charlie, Waris, Meri zaat zara e benishan have got the highest audience.
Pakistani Cinema has surely got a lot of potential and talent and it can be taken somewhere else like on the top but in a long time like 2 to 3 decades. However we can see the all the progress with the release of good films this year.
Major Raja Aziz Bhatti (1928 – September 11, 1965) was a Pakistani Army officer who embraced martyrdom during the Indo-Pak war of 1965. Major Aziz Bhatti was born to a Muslim Rajput family in Hong Kong, his family moved to Pakistan before its independence in 1947. Major Aziz Bhatti’s father Abdullah Bhatti was a school master. Major Aziz Bhatti joined Pakistan Army in 1948. He had excellent student career in the then newly built Pakistan Military Academy, Abbotabad; he was awarded Sword of Honor and Norman Medal by the Prime Minister Liaqat Ali Khan. After passing out in 1950, Major Aziz Bhatti was commisned in Punjab Regiment. During his career of 15 years in the army; Major Bhatti served at various command and staff appointments of the Pakistan Army.
Major Aziz Bhatti was appointed as the Company Commander of a Punjab regiment before the outbreak of war between India and Pakistan in 1965. As the tensions escalated between the two countries, forces were ordered to get themselves prepared for any eventuality. Major Aziz Bhatti was given the command of Burki sector of Lahore. He laid a perfect model of defensive tactics and used every available thing for it. After the start of war Major Aziz Bhatti decided to stay with his forward troops instead of going back to Command post. He led his troops and did not sleep for almost three days. He and his men defend the strategically important BRB canal against enemy attacks for five days and nights despite of repeated attacks by Indian army.
In order to see every moment of Indian forces, Major Aziz Bhatti kept himself on elevated positions. He directed accurate fire to artillery which resulted in heavy loss of men and tanks to Indian forces. He kept leading his men from the front despite of heavy artillery fire from enemy positions. On September 11 as he was directing artillery fire he was hit by an enemy tank shell in the chest and embraced martyrdom.
He was buried in his village Ladian, Gujrat. He left 6 children and a wife. He later awarded Nishan-e-Haider for the supreme sacrifice offered by him. He is the only recipient of Nishan-e-Haider from the 1965 Indo-Pak War.
Waqar Hassan was a stylish stroke maker of Pakistan and the backbone of the Pakistan cricket team during its early days. Cricket is a passion in South Asia, and Pakistan has produced some of the finest cricketers of all time. Waqar Hassan is one of the legends of this sport in Pakistan.
Waqar Hassan made his debut at the age of 17 against India in 1952-53. Though the rest of Pakistan’s batting line up failed miserably in the third test against India, Waqar Hassan stood out with 81 runs and 65 runs respectively. He again played a match saving innings at Calcutta.
His brilliant form continued and against the New Zealand, Waqar Hassan put up a 308 run partnership with Imtiaz Ahmed when Pakistan was 6 wickets down for 111 runs. Pakistan won the match in a close finish.
being a reliable batsman, Waqar Hassan was also an agile fielder at the cover area. Waqar Hassan played 21 test matches for Pakistan and scored 1071 runs including one century. In first class cricket, he played 99 matches with 4741 runs with 8 centuries.
Waqar Hassan made an early exit from the cricket scene to concentrate on his business. He however remained associated with cricket as a member of the advisory council, selector and manager of the national team to tournaments played in Sharjah.
On an international stage, Pakistan is clearly struggling with its distorted image. Every one of us as being a Pakistani knows that we are not what we are being portrayed. In this time of despair and struggle, there are people who still fancy Pakistan as being the blood supply of every beating heart. One such talented Pakistani is Sarmad Sohail who is a musician and has been living in England since three years. Here is his beautiful expression for Pakistan:
It is a very important and fundamental question to me, Sohail says. Why do I love Pakistan? I would answer; nobody can say why he/she loves someone. Love is a gift from Al-Mighty and we can only enjoy it and appreciate it but cannot say why we love someone. Yet a simple answer is because Pakistan is my Mother land and its gives me my identity.
I have been living in UK for over three and a half years now. For me being Pakistani is a matter of Identity. Anywhere I go I am and Insha Allah I will be identified as a Pakistani. To me it’s just like name of a father that gives u Identity in a society, Nationality gives you sense of identity in this world. Pakistan gives you a feeling of being related to and a place with which one can identify.
Although on international stage being a Pakistani is almost a criminal offense, yet I am happy and equally proud to be known as a Pakistani only because I believe to some extent and have a small realization of what Almighty has given to this wonderful piece of land. I am proud to be from Indus Valley Civilization which hosts the world’s best cultural heritage. I am proud of Pakistan for being naturally beautiful, the cultural diversity, rich lingual heritage, being home to world’s 3 largest mountain Ranges, being the homeland to Abdul Sattar Eidhi, its sufi heritage and message of peace. There is a never ending list of these characteristics. The only thing which worries me is the pure negligence of its people towards all these beautiful gifts. Not only we neglect it but they refuse to accept it. The only fact that gives me hope to carry on with the struggle to glorify the distorted image of my beloved country is what Allama Muhammad Iqbal said:
“nahi hai na-Umeed Iqbal apni Kisht-e-viraan se …
zara nam ho tu yeh mitti bari zarkheez hai saqi …”
Graceful, sophisticated, chic, sexy, vibrant, colorful and the list goes on when you start describing outfits designed by the duo Sana Safinaz.
Sana Hashwani and Safinaz Munir together launched the label beginning with formal and bridal wear. Their designs caught attention of the people because of their colors and uniqueness. Sana Safinaz outfit were basically on the same pattern; an amalgamation of the contemporary and the conventional but were different in the sense that while most designers concentrated on heavy intricate embroidery and embellishments; Sana Safinaz were more focused on cuts.
Sana Safinaz still emphasizes on cuts and with time the cuts have become bolder. The palette is also colorful and the embellishments are used subtly. Sana Safinaz went forward to produce casual wear and later designed lawn prints. The Sana Safinaz lawn is very popular with cool prints and eye catching colors.
The Sana Safinaz line of clothes includes bridal wear; elegant and classy with delicate embellishments. Diffusion a collection of bold and glamorous outfits, export; it is the line of casual wear in lively patterns and colors. Sana Safinaz Lawn soft prints are available in soft prints with equally soft shades to beat the summer heat and prêt collection is a fusion of the exotic east and the bold west. Sana Safinaz has also dabbled in furniture designing successfully.